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The Motley Fool owns shares of and recommends Amazon, Netflix, and Walt Disney. Daniel Sparks has no position in any of the stocks mentioned. John Mackey, CEO of Whole Foods Market, an Amazon subsidiary, is a member of The Motley Fool's board of directors. This is a smart move, considering Netflix already has a massive head start, boasting about 159 million paid subscribers.
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Since Netflix seems dead set on keeping its model ad-free, Disney's workaround to boosting its streaming services' monetization with ads on Hulu and ESPN+ as part of the bundle could give the House of Mouse an advantage when it comes to funding the service's ongoing expansion. And even in the digital age, the company has been betting on connected-TV advertising by including limited ads on ESPN+ and lowering the price of the ad-supported Hulu subscription earlier this year (a move that suggests Hulu is happy with the performance of its connected-TV ads).
#GAY MOVIES ON HULU OCTOBER 2019 DRIVER#
The company's ad-supported ESPN network has been a key driver of operating profits for years. In addition, incremental revenue from ads will give Disney more reason to invest in more content on Hulu and ESPN+, ultimately boosting advertising inventory.ĭisney is no stranger to ads. This, of course, means marketers' ads on Hulu and ESPN+ will have a larger audience, prompting more ad spend on the services. Since some consumers who sign up for Disney+ through the bundle may be new to Hulu and ESPN+, the bundle could ultimately prove to be a catalyst for Hulu and ESPN+'s viewership. In addition, ESPN+'s subscription costs $4.99 a month and includes limited ads. The Hulu subscription tier that Disney is going to bundle into its new $12.99 plan is a subscription-advertising breed, which normally costs just $5.99 a month but includes ads. While the impressive value of Disney's streaming bundle may help drive subscription revenue for the company, another advantage this model will likely give Disney is greater viewership for its ads on Hulu and ESPN+.
#GAY MOVIES ON HULU OCTOBER 2019 SERIES#
Disney+ will include family oriented series like The Simpsons and The Sound of Music, as well as movies from Pixar, Marvel, Star Wars, Disney, and more Hulu, now fully owned by Disney, features more general entertainment and ESPN+ is a sports-themed streaming service with access to ESPN+ originals and a wide selection of live sports. Indeed, this trio is priced in line with Netflix's (NASDAQ: NFLX) and Amazon's HD streaming services.įurther, the variety offered through this bundle truly is significant. "he $12.99 bundle, where you can buy all three, offers consumers tremendous volume, tremendous quality and tremendous variety for a good price," explained Iger. But customers will also be able to get access to the service through a $12.99-per-month bundle including Disney+, ESPN+, and Hulu, Walt Disney CEO Bob Iger said during the company's third-quarter earnings call. 12, consumers will be able to subscribe to the service for a compelling price of $6.99 a month, or $69.99 for 12 months. Now in its third season, the show is at its gayest yet there’s a big musical number called “The Spectrum of Sexuality” and even a cameo from Queer Eye’s Fab Five.When Disney+ launches on Nov. Big Mouth has finally acknowledged that Matthew is one of its most reliable laugh magnets, a decision that was likely influenced by the input of comedian Jaboukie Young-White, who joined the show after season one. On BoJack, Todd’s exploration of his asexuality has become central to his character’s overall growth. Similarly, BoJack Horseman waited until its third season to even hint at recurring character Todd’s asexuality.īut over their last few seasons, these animated series (both of which are dropping new seasons this month on Netflix) have gradually expanded their worlds.
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After all, in its first season, Big Mouth criminally underused its main gay character, the snarky Matthew.
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Like many others, I found both shows undeniably hilarious, but not because of those queer narratives. When BoJack Horseman and Big Mouth first premiered (five and two years ago, respectively), I never could have guessed that either would go on to tell some of TV’s best queer stories.